Monday, 8 August 2011

I Heart Skateboarding - Suit Yourself Magazine

Another subject very dear to me - Skating! I should have given up by now, but I just can't! Again, published in Suit Yourself Magazine, Spring 2010. Original article is here.

I HEART SKATEBOARDING

I love skateboarding!


I came to it quite late, I was 18. Most people have already given up by that age. At that time I lived in North Devon and Bristol was the destination for skate missions. This city always held a certain standing in my psyche, it had a status in the national skateboarding community that made it important. Eric Dressen lists it in his top 5 cities to skate, enough said. I felt slightly intimidated by the place if I'm honest, because I associated it with the upper echelons of skateboarding, and I had a sort of childish fear that I would be a really bad skater in the company of the best skaters in the country, and they would all stand in a ring around me taunting me.


One day something happened which completely blew all that out of the water. A group of us had come up to Bristol for the St Pauls Carnival, and we stayed with someone in Bedminster. The day after we'd been to the Carnival, the guy who's house it was told me of a skatepark just down the road. I had no board with me, but the bloke downstairs had a Santa Cruz Everslick. So I borrowed it, and armed with a vague set of directions, headed out to find the park. I was scared and completely lost within minutes, being the wide-eyed country boy that I am. Amazingly, I eventually walked through the gates of the old Dame Emily Skatepark. It is now the Dean Lane Skatepark and has a completely different setup, but back then it was the craziest thing I had ever seen. There were a few kids on boards rolling around, not the scary crew of punks and pro's that I was expecting. I started to skate around, hitting the bank with trepidation, but feeling OK, and not making a fool of myself. Shortly afterward, a few people started to arrive, older and better. Much better. One of them was the legendary Spex. Ask anyone associated with skating in Bristol who he is, and you'll get the same answer - LEGEND! And guess what, no one made me feel bad. In fact, I felt good. I started to copy some of their lines, and found a bit of flow. I did a kickflip out of the bowl and I got a 'yeah' from everyone. I will never forget that feeling, it’s still as vivid a memory now as it was the day after it happened, 16 years on. I spent the entire day skating and chatting with the people I met there, hearing stories about the place and exploits of various characters in the city. One of the best days of my life.


I learned a secret that day, and it's secret every skater should know. Skating is a very exclusive club, but it's easy to join. All you have to do is skate. Seriously, that’s it. No matter what your level is, as long as you're skating, you're in, and automatically accepted by everyone else who is a skater. You should never feel embarrassed to skate because you don't think you're good enough or whatever, the fact that you do it is all that matters.

I now live in Bristol and skate at this city's many lovely skateparks and spots. I've met tons of people through skating, and these days I take my son and his mates with me. We roll around with smiles on our faces, because we all know the secret.


We love skateboarding!’







Simon Mills - Artist Profile for Suit Yourself Magazine

My very first piece published by Suit Yourself Magazine, Spring 2010. A short profile on Bristol artist Simon Mills. The original article can be viewed here.

SIMON MILLS

You may not be familiar with the name Simon Mills, but if you live in Bristol and engage in any way with its artistic subculture you’ll have almost certainly seen his work. Simon is a prolific artist who’s displayed work in exhibitions and galleries from Bristol to New York.

You won’t see his name in lights emblazoned across the front of the Bristol Museum though, well, not yet anyway. This art is for the people, and that doesn’t imply a dilution of artistic conception, just that it does not distance itself from ordinary folk. There’s no pretension attached, just the sense of a love of drawing that can’t help but escape onto anything that lies in his path. He’ll draw on anything, literally. From discarded 3-legged chairs, bits of wood, broken skateboards, anything. This subversion of objects, and the ability to see creative potential in things that are ignored by others is the result of a life of skating, where the subversive use of architecture is the primary canvas for expression.

He is the resident artist for the Drawn collective, and is part of the inkygoodness collective, he creates T-shirt designs for Mild West Heroes and he’s an artist at Start The Bus. He has provided illustrations for this very magazine, and recently designed a T-shirt for the band ‘The Egg’. He also runs Cloud Neuf, a creative company offering artistic, design and web services.







Kilimanjaro

This was written for issue one of the Drawn Zine - published by www.drawnrecordings.com - back in 2009. A bunch of celebrities had just completed a ver high profile charity raising hike up mount Kilimanjaro for comic relief - raising money for Africa. My thoughts on this kind of thing have always been fairly strong, and often land me in trouble, but I just can't help but think maybe what poverty stricken third world countries need is a loosening of the stranglehold of the West rather then a bi-anual charity drive...

Oh well, here are my thoughts on this particular incident as they were in 2009, around May.

Misdirection


The biannual comic relief cash raising drive has never quite sat right with me. It’s not comic relief in particular, but any of the high-profile charity onslaughts, headed up by celebrities of varying degrees. They always leave me with a vague sense of suspicion. Now, I know this is a bit of a controversial issue on which to place any sort of negative slant , and believe me, I abhor the human misery that is needlessly heaped upon so many, and yes, of course something needs to be done about it. But I wonder, are these charity drives really the best way of helping people living in poverty in some of the most deprived areas of the planet? I’m not entirely convinced that these ‘brave celebrities’ are in fact as dedicated to putting an end to human suffering as is made out.


I’m talking about the recent ‘celebrities climbing Kilimanjaro’ effort in particular here, because it was this that really made me think about it all. They raised £1.5 million for comic relief, and probably more. What could possibly be wrong with that? Well, nothing in itself, but lets take a look at this whole thing in it’s entirety. First of all, their flights were paid for by Richard Branson, or more specifically, Virgin airways (charity donations are tax deductible I believe). While we’re at it, given that traveling by air is a very ecologically unsound thing to do, certain alarm bells are already ringing. Secondly, their climb was accompanied by a party of some 200 guides, kit carriers, cooks and so on. Hang on a minute, this is starting to sound a bit like an all expenses paid trip of a lifetime. Who wouldn’t jump at the chance to travel to Tanzania and climb one of the most famous and iconic mountains in the world? I know for sure that I would leap at it. Then, on their return, instead of ‘enduring’ the charter flight back to blighty, they are all treated by Mr Barlow to a surprise reward for their efforts in the form of a private jet. A private jet? Are you kidding me? That’s £50,000 pounds right there. Now, I’m not begrudging these people their outrageous wealth (well, maybe a little), but right now, this is looking to me like a business jolly for those involved. And at the end of it all, these folk get a load of media coverage and general profile boosting that must have felt like mana from heaven. After all, the stock in trade of a celebrity is to court the media, and gain as much exposure as possible. Well, that’s all boxes ticked then.


I don’t want to be completely cynical here, and certainly, they all put a lot of effort into a task that was physically quite challenging. But, is this really tackling the problems it claims to be tackling in any meaningful way? Or is it simply great PR for some already famous and wealthy celebrities? I wonder what the total costs incurred by this trip are? When you consider that a complete state of the art film crew and editing suite accompanied the party, including runners that literally ran from wherever the film crew was each night down to the bottom with the footage to be edited, and then back up again, one can’t help feeling the costs would have been significant.


OK, we all get the picture. Here is a load of white wealthy pop stars and celebrities on a big all-expenses paid PR stunt under the guise of charity. I guess that’s what they do, and we can’t really blame them for it. After all, it’s us, the public that lap up the output from these people, and sustain their positions and lifestyle, so we can’t really complain can we? What really grates is the delegation of guilt to the general public. We have to endure a host of famous faces, against a backdrop of starvation, death and disease, telling us that it is our duty to give whatever we can afford to the cause, and help end the suffering; “Look at these people behind me, starving and dying, and unless you send in fifty quid, they will all certainly die”. Hang on though, how much money did Live aid raise for Africa? Several million. What about all the previous comic relief drives? Not to mention the continuous street collections of a hundred charities all working hard to save Africa? That’s millions, probably billions of pounds. But the problems don’t seem to diminish. Africa is one of the richest continents in the world in terms of natural resources, so what’s going on? Now I’m no expert, but I did a little digging, and within a very short space of time, I read that in 1997 (I know, it’s well out of date, but it’s the principle I’m outlining) comic relief raised 47 million pounds that went to Africa, and the states that received that money in aid paid it back and more to the International Monetary Fund in one single day of national debt repayments. And that didn’t even cover the interest that was accruing!


Crikey! All that money didn’t even make a dent. National debt is what’s crushing these poverty stricken areas, and it’s not just Africa, it’s South America, South Asia, anywhere considered third world is in it’s situation due to the strangle hold that the Western capitalist system has it in. So, how did this national debt happen in the first place? Well, in different ways, many of them the fault of exploitation from first world countries. For example, during the times of colonial rule, many African countries built up a national debt under the occupying government, and when they gained independence, part of the deal was that the new country took on the existing national debt. On top of that, they needed loans to set up their new fledgling governments. On top of that again, most of the established industries that used local natural resources were owned by Western multinational companies, which syphons money out of the country, and into the economy of the West. Another cause of debt would be what is known as ‘odious lending’, whereby the International Monetary Fund lends to a corrupt leader of a country, in the full knowledge that the money is being used for purposes other then the good of the country, and later demands repayment from a country unable to meet these demands. In effect, the poorest and most oppressed people pay the most, and several times over. Here’s an example that will resonate with most; The South African National Party government that implemented apartheid, the racist, oppressive regime of segregation and discrimination from 1948 - 1994 had to borrow massively to maintain itself (and therefore apartheid), due partly to the international trade sanctions that where imposed upon it by the international community (sanctions which didn’t stretch to financial services apparently). When the African National Congress, led by Nelson Mandela, took over the government in 1994, they also took on the debt incurred by the previous government, a debt amassed by implementing the very system that had oppressed the people who now had to pay it off. So the black population of South Africa had to endure the terrible reality of apartheid, and then, had to pay for it financially. Nice. The IMF, incidentally, is the financial body set up to ‘foster global monetary cooperation, secure financial stability, facilitate international trade, promote high employment and sustainable economic growth, and reduce poverty around the world’. It is them who make the loans, and them who are taking the repayments from indebted countries who can ill afford it. Furthermore, they pressurise indebted countries to apply ‘structural adjustment’ to their budgets and economies, which essentially means that resources are diverted away from important social services such as education, health, housing etc. and channeled into debt repayments. They are a financial co-operation of most of the UN countries, and their interests are in maintaining exchange rates at an acceptable level, and generally looking out for the financial interests of the West. I could go on, but I won’t. You can read more for yourself, this is a good starting point, but if you look around there’s loads of information available.


So, I wonder if Cheryl Cole, Gary Barlow and the rest really are the key to solving starvation and poverty in Africa, or is this whole thing just a way of dealing with the guilt we subconsciously feel at the outrageous injustice practiced by the West as a whole? I mean, if we all feel bad for a day or so, give some money to the cause, well, we’ve done our bit then haven’t we? We have a whole 2 years before the next few days of guilt and charity. Shouldering that guilt stops us asking questions of those who are really responsible. And in the meantime, the careers of certain celebrities will receive a boost, multinational corporations will continue to exploit the poor whilst making massive profits, the third world will continue to be beaten by a huge rod of debt, and human suffering will continue on an unimaginable scale. Unimaginable for us that is. The people suffering, I’m sure, have no problem imagining it.